Religious  P ro c e ssio n in

expressive. She is full of her personal importance. Her arrogant look 
mirrors the self-confidence of the representatives of the properted 
classes. Their wellbeing is protected by village police officers. The 
procession is headed by stalwart peasants; behind them two women of the 
lower merchant class cautiously carry an empty icon case. A choir is also 
represented here. No face shows deep devotion to God. Among the crowd 
the figure of an archdeacon stands out for the bright, festive clothing, but 
he too is plunged in his own thoughts. True faith is seen only in the 
images of the poor and pilgrims. The most expressive image is that of 
hunchback.
With the development of realism, historical painting underwent 
great changes. In his large historical painting underwent great changes. 
In his large historical paintings 
Ivan the Terrible and His Son Ivan,
November 16, 1581,
of 1885, and 
Zaporozhian Cossacks,
of 1891 Repin 
resurrected the spirit of 
historical events and recreated historical 
characters, their fates and passions. The latter is the painter’s best-known 
work.
Repin also created portraits of his great contemporaries, such as Leo 
Tolstoy, Mikhail Glinka, and Modest Mussorgsky.

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