Ғ. Н.Қисметова Ағылшын тілі грамматикасы

жүктеу 3,76 Mb.

Pdf просмотр

бет	97/99
Дата	20.07.2022
өлшемі	3,76 Mb.
	#39050

1 ... 91 92 93 94 95 96 97 98 99

Grammar KZ (1)

Vereshchagin was killed in the Russo-Japanese war zone in an exposition on the battleship Patropavlovsk. I.Give Kazakh equivalents o f following phrases

Apotheosis of War
(1870-71). It shows a pile of skulls againts the
devastated city. On the frame there is an inscription: “Dedicated to all great
conqueror: past, present, future”. Thesubject o f the painting,
distinguished
for anti-war symbolism, was repeated numerously in the 20th centure anti
war poster.
After his trips to India (1874-6, 1882) Vereshchagin made Indian
series which depicted the colonial expansion of the English. In 1878-80 the
painter created the Balkan series, devoted the Russo-Turkish war. The
painting Conquered: Funeral (1878) greatly impressed his
contemporaries.
Vereshchagin’s anti-Napoleonic series were very
popular. The
huge
paintings of his series are not entirely free from the theatrical effects and
the pomposity, but certain images are memorable because of their
dramatism.
During the 1880s Vereshchagin frequently returned to an evangelical
theme, depicted with realism, which is characteristic of all his work.
From 1870 to 1890 exhibitions of Vereshchagin’s work travelled
through Europe and the USA. By the turn of the centry he became the most
popular Russian artist abroad.
Vereshchagin was killed in the Russo-Japanese war zone in an
exposition on the battleship Patropavlovsk.
I.Give
Kazakh equivalents o f following phrases:
The cadet corps; a naval officer; to abandon the career; conventions
of the academic system; historical painting; effective handing of
details, to take part in the military actions; landscape; battle painting;
to be adhere to; an anti-war poster; to prevail in; a
m o v e m e n t
of
solidarity with; images are memorable; in an ambush; an
evangelical
theme; to appeal for pacifism;
148

UNIT 26.
MIKHAIL VRUBEL’ (1856-1910)
Mikhail VrubeF was a pioneer of Modernism in Russian art. His
extremely imnovative technique broke with the tradition of the Academy
of Arts, St. Peterburg, where he was a brilliant student. At the same time he
felt dissociated from the social ideals of the Wanderers. He remained a
loney figure in Russian art. He did not tiy to achieve monumentality which
was the aim of most of the painters.
Vrubel’ was an infant prodigy. He was fond of music and drawing.
The year of his graduation from St. Peterburg University in 1880, Vrubel
entered the Academy of Arts. His talent was esteemed by Valentine Serov
and his creative method was developed under the influence of Pavel
Chistyakov.
In Kiev in the 12-th century church of St. Cyril Vrubel’ not only
created his masterpieces of the religious painting, but worked out his style.
In the Byzantine mosaics of St. Sofia in Kiev he found the same divided
colours and surfaces that fascinated him in St. Peterburg.
In 1889 Vrubel’ moved to Moscow, where the range of his activity
windened due to the backing of Savva Mamontov, the patron of Russian
art. Vrubel’s stage designs for Mamontov’s private operas were centar in
his work.
Vrubel’s monumental style was ideally suited to wall decoration for
a new Art Nouveau parlours in Moscow. He produced

жүктеу 3,76 Mb.

Достарыңызбен бөлісу:

1 ... 91 92 93 94 95 96 97 98 99